“Kelly declaimed the poet’s despondent musings in a high, oaken baritone”

“Michael Kelly declaimed the poet’s despondent musings in a high, oaken baritone, strongly inflecting the long phrases, biting off the words with fierce diction.

“If these were not the most cuddly songs ever written, one could certainly admire their craft and restraint, and Kelly’s ability to sustain a long line.”

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Molomot’s “humor and lightness” in Dido and Aeneas

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Kelly’s “big rich” and “mellifluous baritone handled the difficult dramatic moments surreptitiously on transgender.”